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You'll increase your scale and chord-voicing vocabulary, and you'll improve your rhythm, groove, and phrasing. Audio demos of all guitar jams are included! Chords, scales, keys and turnarounds for the blues are taught in this method book.

Standard notation and tablature. All songs from the book are included on the CD. Never having a ""day"" job, he managed to develop a successful, full time career in music without being a ""star"" in the traditional sense. From his work with celebrity singers to jazz guitar concerts to private music education to writing jingles, this book paints a vivid picture of work in the music business.

Over and above the musical anecdotes and his work descriptions, ""My Life in Music"" will be relevant to anyone who wants to go their own way. There's great advice about following your heart and loving what you do in your life's work. It also points out the importance of change and adaptation. Musicians and non musicians alike will find this story interesting and inspiring! With daily lessons for absolute beginners!

In this practical step-by-step guide, Troy Nelson teaches you the essential elements you need to know to get started playing acoustic guitar. With this book, you can learn acoustic guitar! We are here for your entire learning-to-play-acoustic-guitar journey.

Go ahead-ask us your tough acoustic guitar questions! This acoustic guitar for adult beginners book is the perfect introduction to learning how to play acoustic guitar.

If you are ready to teach yourself acoustic guitar, get this book! Read it! Hear it! See our Privacy Policy and User Agreement for details. Sign up with Facebook Sign up with Twitter. I don't have a Facebook or a Twitter account. Research and publish the best content. Try Business. Join Free. No tag on any scoop yet. Jun 21 From the former editor of Guitar One magazine, here is a daily dose of technical vitamins to keep your chops fine tuned!

Musical styles include rock, blues, jazz, metal, country, and funk. Techniques taught include alternate picking, arpeggios, sweep picking, string skipping, legato, string bending, and rhythm guitar. These exercises will increase speed, and improve dexterity and pick- and fret-hand accuracy. The accompanying CD includes all workout licks plus play-along grooves in every style at eight different metronome settings. Thesamenote R is foundat the end of measure2, leadingbackto the beginning of the phraseon the repeat.

Tip: Becauseof the tripletrhythms,the pickingpatternsremainconsistent down-up-down or up-down-up on both stringsthroughout. Tip: lf. Tracks Exercise: Music Description:Thisexerciseemploysthe Am,C, G, and Emarpeggiopatternsfromthe previoustwo Thursdays and ;however,herethe patternsaremoveddownan octaveand playedon strings3 and4. Tracks Music Description:Ascendingtriadarpeggiosin the keyof G major,eachplayedwitha downwardssweep,are arrangedin stepwisefashionalongstrings Tracks in Exercises and havebeencombinedintoa single Music Description:In thisfigure,the notesequences six-notetappingsequencethat'splayedtlvicepermeasure.

Tip: A potentialproblemwith longlegatolinessuchas thisone is thatthe notesat the end of the sequencetendto be playedat a lowerattackvolume. To preventthisfromoccurring,hammerontothe stringwiththe same-or moreauthorityusedfor the pull-offs. Getacquainted geringsfor eachof thesechordsbeforeattemptingto executealleightchordssuccessively. Thistime,however,seventh-position, verticalarpeggiosareusedfor the Gm7 andC7 chordsbeforethe twopatternis recalledfrompreviousexercises notes-per-string, horizontal for the FmajTchord.

Tip: Paystrictattentionto the fingeringquggestions for the mostefficientpedormance of this line. Tracks Music Description:Thisexerciseis similarto the string-skipping sequencepresented in Exercise',onlyhereeach three-notegroupingdescendsalongstrings1 and 3 ratherthanascend ,skippingoverstring2. Tip: Following the whole-stepbendson strings2 and 3, takecarenot to overextend the half-stepbendson string1.

Tracks exercise ,onlythe fingerings Music Description:Thisfigurecontainsexactlythe samenotesas lastThursday's 4 and 5. Music Description:Inthisworkout,an extranote,D, hasbeenaddedto the tappingexercises pull-offs, hamm-er-ons. They should be Tip: Don'trishlhe eight-note etc.

Tip: Focuson the indexfingerof yourfrethand,usingit to guideyourhandto the flrstnoteof eachnewthree-note grouprng. Tracks Music Descdption:Thesearpeggiopatterns-althoughplayedon strings5 and 6 ratherthan4 and 5 withtvvo patterns Amand C frettedan octavelower-are, notefor note, identicalto the onesfrom lastThursday Tracks Exercise: havebeenaddedto the diatonicG majortriadsfromthe sweep-picking Music Description:In thisfigure,extensions seventh-chord arpeggios.

Tip: Onceyou havethisfigureunderyourfingers,try usingyourmiddleand ringfingersto playthe noteson frets7 to helpimprovefret-handde derity. No finger movementis necessary for the G7-chordbassline. Tip: Becausethis is an alternate-picking exercise, fightthe temptationto randomiyinsenupstrokesor downstrokes whenit'sconvenient. Instead,staytrueto the pickingdirectionsprovidedbetweenthe notationand tab staves. Tip: Useth-esuggestedfingerings as a guide,but feelfreeto experiment withyourown fingercombinations, using whichever feelsmostnatural.

Kingprovidesthe inspiration for this lickin A, whichfeatures,quarter-,half-,aRdwhole-step bendsperformedexclusively on string1. Tip: Theentirephrasecan be performedwithjust yourindexand ringfingers,playingnotesat the eighthandtenth frets, respectively. Theonly Music Description:Thiscountryaccompaniment that occuron beat3 of eachmeasure. Forexample,alternatebetween Tip: Experiment basslineeverymeasure.

Tip: Practicethisfigureverygradually, workingon threenotes onebeat at a time. Then,stringit alltogetherand practicethe entireexerciseat the varioustemposDrovided.

Kingand featuresmultiple bendsof varioussteps quarter, half,and whole playedon string1. Tip: Becauseof the threedifferent typesof bends,gettingproperintonation for eachbendis challenging; therefore, spendexra timeworkingon bendingeachnoteto its properpitchbeforeattempting to playthe entirephrase.

Tracks a basicthree-noteC major exercise ,thisexamplejuxtaposes Music Description:Similarto lastThursday's C malorarpeggio. Theend resultis a three-octave chordacrossihe neckhoizontally. Tracks example,featuringdiaMusic Description:Borrowingits notesand patternsfromExercise,thissweep-picking hammer-on new tvvist: a one G major, adds in the key of arpeggios tonicseventh-chord the sweepspracticeeachone independently-without Tip: lf-youfindyou'rehavingtroublewiththe hammer-ons, add the sweepsand playthe entiresequence.

Tracks Legato Technique: Genie:Rock E minordroneriff versionof lastSaturday's Music Description:Alsofeaturinglegatoslides,thisfigureis the descending noteson string fretting the 3 while simultaneously your Iinger to mute string middle fret hand's of Tip: Usethe fihgernail 2 withthat fingerstip. Tracks:3H0 Exercise: such as chordparExercises and pattern from elements combines rhythm This country Description: Music "walk-ups" anda "walkbasslines-withsingle-note andthe root-Sthand hammer-on tials,the C-G7-C progression, down.

Tip: Thefirsttwo beatsof the exercisewillposethe biggestchallenge, so focuson thosefirst. Tracks Music Description:ThisStevieBayVaughan-inspired lickbuildson the bendingworkoutsof the previoustwo weeks and ,introducing a quarter-step double-stop bendin measure1. Tip: To playthe first-string bendsthat succeednotesfromthe samefretof the adjacent,secondstring,useyourring fingerfor the formerandyourmiddlefingerfor the latter.

Tracks exercise ,onlythe notesof eacharpegMusic Description:Thisexampleis similarto lastweek'ssweep-picking the noteson string2. Tracks Exercise: graduplayed riff, in steady sixteenth-notes, this E minor dronQ and , to Exercises Similar Music Description: legaloslides.

Tracks Music Description:Likemanyfunkrhythms,thisfigureis basedon a steadysireamof sixteenthnotes. Here,a foureverybeatwithstringmutes,whicharean notevoicingof an Eg chord,playedon the top fourstrings,alternates guitar.

Tracks Technique:Alternateplcking Genre:Metal Music Description:Thearpeggiosfromthe alternate-picking exercises of the previousthreeweeksarearrangedhere alongstrings1 and 2 exclusively. Tip: Althoughthe fret-handfingerings changeto accommodate for majoror minorchords,the pickingpatternjs consistentthroughout. The patternis thenrepeatedas it moveshorizontally downthe neck. Tip: Althoughthe figuresuggestsstartingwitha downstroke, you mayfindit advantageous to startwithan upstroke.

Tracks Technique:StringBending Genre:Blues Music Description:LikelastWednesday's lick ,this bendingworkoutis inspiredby StevieRayVaughan, althoughthere'sa higherconcentration of stringmanipulations in thisexample. Tip: A positionshiftoccursin measure4.

Toaccommodate this move,useyourindexfingerfor the bendon beat1, andthenquicklyshiftit to the fifthfretto playthe subsequent note. Tracks Exercise: Music Description:Startingat the twelfthfretof string6, this Em arpeggiopatterncoversthreeoctavesand allsix courseand climbingbackdownthe neckstringsbeforereversing onewithyourmiddlefinger;the otherwithyourringfinger ,and use withthe suggestedfingerings Tip: Experiment the onethat feelsmostnatural.

Tracks:S of Weeks areemployedhereto producea exercises fromthe sweep-picking Music Description:Elements arpeggiosdiatonicto G major. Tracks Exercise: rhythms, e. Tip: Usethe undersideof yourfrethand'smiddlefinger,whichis not partof the chordvoicing,to mutestrings5 and 6 -not for a percussive sound,but ratherto preventunwantedstringnoise. Tip: Becausethe middlelingerfretsallof the noteaon tlie seconf string,keepit on orhoveringover that string throughoutthe exercise.

Tip: The lastnoteof measure2 shouldringwiththe bentnotein measure3; therefore, useyourmiddlefingerto fret the stationary noteandyourindexfingerto performthe bend.

Tracks:g E. Consequently, to follow. Tracks Exercise: pulse EbS E9 and sixteenth-note to slide hallstep chordal the which retains Music Description:Thisfunkfigure, E13 chord, an mutes, and introduces and string the chord stabs rhythm to a syncopated , adds Exercise from playedstaccato,on beat 4 of the secondmeasure iip: Tovoicethe E13chord,simplymaintainthe precedingE9voicingand add yourpinkyto fretI of the firststring.

DescriPtion: Thearpeggiosfromlastweek havebeenextendedto includet6e thkd string. These ascendingpatternsstarton the chordsfifthdegree e. Tip: Remember, this is an alternate-picking exercise,so avoidthe temptationto usea downwardssweeDfor the first three notesof each beat.

Tip: Becauseof theirthickness,woundstringsaremuchharderto pickthanunwoundstrings. Therefore, don't get discouraged if you needto spendmoretimepracticing thisexercisethanthe onesplayedexclusively on sirings. Tracks Technique:StringBending Genre:Country Music Description:ln measures1 and 2, alternating haf- and whole-stepbendson string1 targetthe Samepitch,E, beforea double-stopslideresolvesto the root,C, in measure3.

Tip: Forthefirst-stringbends,useyourearto guideyouto the targetpitch,E, ratherthanfocusingall of yourattention on the distancesof eachbend. That iipi X""p Vourtr"i hand'sindexand pinkyfingerson, oi floatingabove,strings3 and 5, respectively, arpeggio. Thinkof it as alternatepicking,onlyyou'rerefraining sl6e' of the destination is the which each beat, note of pii:t. Guitar Technique. Read more. Guitar Electronics for Musicians Guitar Reference. Sonata for Guitar solo Guitar Scores.

Nuevos estudios sencillos for guitar Guitar Scores. Compositions for the guitar Guitar Scores. A Modern Method For Guitar. A tutorial for Gypsy Jazz style plectrum guitar technique. Viaje a la semilla for guitar Guitar Scores. Blues Guitar for Dummies. Jazz Scales For Guitar. Irish Music for Guitar. Chicago Blues Guitar Guitar Books. Fit for Guitar 1. Blues Guitar For Dummies.

Voice Leading For Guitar. Classical Guitar For Dummies. Charlie Parker For Guitar. Guitar Patterns For Improvisation. Bass Guitar for Dummies.

Guitar Exercises for Dummies. Recommend Documents. Guitar Technique Guitar Electronics for Musicians Guitar Reference Here;triads A,E, and D arevoibedon strings whib the openA stringis pedaledin sixteenthnoteson string5.

Tip: playeachtriadwith a downstrokeand alternatepickthe open-Astringpedaltone,allowingit to ringout over the two measures. Tip: Attackthe pickupnote E;thirdstring,ninthfre0witha downstroke. Tip: Be sureto archyourbending middle fingerfor the lastbendso as to not mutethe openstrings,whichshould ringin unisonwiththe bentnote.

Tip: Thefingeringfor thisarpeggiois similarto that of the Am7 arpeggio ]. By simplyshiftingthe fingerings of 3, strings5, and 1 of the Am7 pattern down one fret,the arpeggiobecomes A"7. Tracks Music Description:Thisexampleis a reiteration ;however, of Exercise thistimean importantcomponentof sweebpicking,hammer-ons, areusedto connectthe noteson string3. Tip: Whileyou'reperforming the hammer-ons, simultaneouslyreturnyourpickhandto string5, whereit willbe ready to playthe ensuingarpeggio.

Tip: Althoughyou wantto avoidit as muchas possiblefor fearof muddyingthe sound,don'tworryif you inadvertently hitthe openlow E stringfromtimeto time. E is the fifthdegreeof the A minorscale.

Tip: Keepyourfret hand'sindexfingerplantedon fret7 of the fifthstringandyourringfingeron fretI of the fourth string,shiftingonlyyourmiddleand pinkyfingersintoplaceto accommodate the chordchanges.

Tracks:S Music Description:Thispedal-tonelickdiffersfromlastweek'slickin two ways. First,a three-notepattern insteadof the pedaltone. Second,ihe pedaltoneis locatedon string3 ratherthanstring1, wherethe E one note constitutes harmonicminorscalestartsits descent.

Tip: Usea down-up-down-up pickingpatternfor eachbeat,attackingeachdescending scaletonewithan upstroke. Here,the patterndescendsthosetwo stringsin the samemanner. Tip: By now,you maybe tiredof hearingthe sameold scale.

Tip: The bendsshouldbe pedormedby pullingthe thirdstringdownwards towardthe floor withyourindexfinger. Tip: By startingon the seventhdegree,the chordtonesaredistributed thanif the arpeg- withinthe measuredifferently gio beganon the chord'sroot. Tip: Whenperforming it. Thiswillgivethe the pull-offs,pullthe stringdownslightly towardsthe floor beforereleasing targetnotean attackthats consistentwiththe othernotesof the arpeggio Exercise: CD2.

Tracks Music Description:Featuring suspended2nd and powerchordsarpeggiated on strings, thispop-rockrhythm patternwouldfeelrightat homein a songby DaveMatthewsBandor the Police AndySummers. Tip: ldeally,youwantto playthisexamplewitha slightpdm mute,whichis halfwaybetweenlettingthe notesring and. Tofindthe sweetspot,letthe fleshy"blade"of yourpdm sit ,ohtt on strings Tip: Paycloseattentionto the tripletrhythm,whichcausesthe pickingdirectionto alternatebetweenupstrokesand downstrokes on eachdownbeat.

Tip; Insteadof alternatepickingthe entirepassage,try pickingonlythe firstnoteof eachthree-notegroupingand usingpull-offsto articulate the remaining two notes. Tip: ltb difficultto maintainintonation whenbendingbothsvingsa halfstep,so spendextratimeon the bendsbefore attemptingto playthe entirephrase. Youcanthinkof eachselitupletas a combination of two eighth-notetriplets-oneon the downbeatand one on the upbeat'. Withthe exception of of the reversedirection the practically slides, else everything in this figureremains the same, the including D7 tonalF rhythm,and octaveshapes.

Thegoalis notthe noteand rhythmicchoices,but rdthergettingcomfortable usinglegatoslideswhileplayingoctaveshapes. Tip: Whileit'sperfectlyacceptableto commencethis patternwitha downstroke, startingit withan upstrokeengages the advantageous crosspickingtechnique. Tip: Forthe three-noteobliquebend,experiment withthe two fingerings offeredin the notationstaff,usingwhichever is mostcomfortable. Here,the pattern outlines an Am7 chord. Tracks Technique:SweepPicking Genre:Metal Music Description:This figure the employs same found fingerings in the sweep-picking from exercises Weeks ; however, here the triad are arpebgios playedon , strings thus changing the keycenter from D majorto A major.

Tip: Usethe fleshyundersidebfyourfrethand'sindexfingerto mutestrings, preventingunwantedstringnoise. Tip: Plintingyourfret-handthumbon the backof the neck-ratherthandrapingit overthe top of thefretboard-will keeppropei6pacingbetweenyourindexand pinkyfingerswhileyou movethe octaveshapesup and downthe neck. Tip: In metal,it'sc6rhmonfor guitarists to usedownstrokes exclusivelywheneverpossible. Thispracticeimpartsa firm attaokto riffs,somethingalternatepickingdoesn'tprovide-butthis exercisedoes!

M,I P. Here,the scaleis anangedin a three-notes-per-string sequencethat ascendsstrings1 and 2 and is cappedwitha whole-stepbendto the root,A. Tip: In the pickingpromptnotatedbetweenstaves,noticethat a downstrokeis usedto begineachthree-note sequenceon strjng2 and an upstrokestartseachsequenceon string1.

Tip: Therespective tensionsof strings2 and 3 areconduciveto simultaneouslyhittingthe half-andwhole-stepbends; however,it willtakeconsiderable practiceto achieveperfectintonation of bothstringson demand. Tip: Useyourindei fingeraisa guideas you moveup and downthe pattern,as it'sfirmlyrootedin third,iifth,and eidhthpositionsto playthe noteson stringsets, , and , respectively.

Tip: Keep your fret hand's indexfinger planted on string 4 throughout,slidingit up the string to shift positions. Noticethatthetappednotes theA minorpentatonic of the lastnotesplayedon the precedingstrings. Tip: Useyourfrethand'smiddleiingerto voicethe E5 chordsthat appearon beatl of eachmeasure. Thisfreesup yourindexand ringfingersto quickt maneuver to the subsequent power chord, F5.

Use this-techniqueon the A5 ahordthat aooearain measures, 1 3, and 4, as well. This is a techniquepopularizedby Metallica'sJames Hetfield. Thistjme,howeve the patternbeginson string1 and descendsto string2 before climbinghorizontally up the neck. Tip: As you moveup the neck,yourpinkyshouldguideyourhandto the firstnoteof eachnewsix-notegrouping. Tip: Althoughthe pickingpromptsuggestsstartingthe patternwitha downstroke, you mayfindan upstrokeis more efficient.

Experiment with both. Tracks Technique:StringB;di;g G;;rd Country Music Description:Playedoveran A chord,thisexamplecombinesobliquebendswith flick-hanomutingto pro- duceda percussive effectcommonlyknownas "chickenpickin'. Tracks Technique:sweepPicking Genre:lvletal Music Description:Thissweep-picking exampleborrowsthe A majortriadarpeggiosfromExercise andaddsa diatonic7th to each,convertingthemto major,minor,dominant,or half-diminished seventhchords. Tip: If jumpingyourfret from hand's-pinky sting 6 to string4 for the arpeggiosgivesyou problems, major-seventh try substitutingyourringfingeron the low E string.

Tip: Whileyou climbthe scale,usethe "heel"of yourpickhand,whichshouldbe reslingin the vicinityol the seven- tebnthfret,to mutestringsafterthey'vebeenplayed,thuspreventingunwantedstringnoise CD2 o Tracks Music Description:Inspiredby the doomsdayriffsperformedby Slayer'sguitarduo, KerryKingandJeffHanneman, this metallicpassagemixesA5, Bbs,85, and E5 powerchordswitha hauntingtritonemelodythat'sarrangedalong strings Tip: Thefirstfour powerchordsin thisfigurearepartof a two-beatpickupmeasure; therefore,the chordsareonly playedonce,as a lead-into the repeated two-measure phrase.

WEEK 43 o itll. Tracks Music Description:A variationof the exercises fromthe previoustwo Monday's and ,thjsA naturalminor scalesequenceemploysfret-handslidesto facilitatepositionshifts. Tip: Unlikethe previoustwo Mondays,straightsixteenthnotesareutilizedhere,so workdiligently on not lettingthe feel three-note three-against-four groupingsagainstfournotesper beat trip you up.

Tip: Usehybridpicking-alternatingbetweenyourpickand middlefinger-to performthislick. Tracks Technique:Arpeggios Genre:Rock A majorbarre-chord Music Description:A sixth-string-rooted shapefurnishes the framework for thissix-stringarpeg- gio exercise. Followthesemaneuvers withan upstrokefor the pulFoffandan unintenupted up-sweepfor strings Thistime,however, the arpeggiosdescendstrings whilethe patternclimbsthe neck- Tip: To learnthis exercisequickly,memorize fingerpatterns major,minor,dominant, the sequenceof the fourdifferent and half-diminished ,as wellas the fretat whicheachpatternbeginson string4.

Tip: A "hammerfromnowhere"is a hammer-on that'sinitiatedby the frethand,and mostfrequently appliedwhen movingfromstringto string. Be sureto put enoughforcebehindthesehammer-ons so that theyringasclearlyas ihe otherthreenoteson the string. Tip: Althoughit'sdifficultto inferfromlookingat the tab this staff, entirefigurecan be performedby addingsimple embellishments to standard C, open-position Am, G, and F chords. Tracks Technique:Alternatepicking Genre:Metal Music Description:Thesameconceptas lastMonday is in playhere,onlythe A nituralminorscalesequence commences on string1, descendsto string2, and thenclimbshonzontally up the neck.

Tip: Don'tlet the scalesequencedictateyourpickingpattern;instead,maintaina steadydown-up-down-up pattern on eachbeatthroughout. Exercise: 3G3 cD2. Tip: Useyourringfinger,middlefinger,and pickto playthe noteson strings1, 2, andg, respectively. Tracks Music Description: A bane-chordshapeis the basisfor this "swept"A majorarpeggio. Tracks Music Description:Note note,thisfigureis identicalto the sweep-picking for exercisefromWeek however,this time a hammer-on connects the two notes found on string4 of eachfour-note arpeggio.

Tip: Go slowlywiththisexercise. Youwillflndyourfret handquicklybecomingfatiguedbecauseof the extrapressure that mustbe appliedto fretthe heavierstrings,as wellas to performthe hammer-on. Tip: After playingth; C-6hord melody, plant yourfret hand's ringfingeron fretZ of the fourthstringfor the Am chord, teiving it dn tiraistringthroughoutthe remainder of the figure,adjustingyourindex,middle,and pinkyfingersto accommodate the major-chordvoicings Gand F and embellishments that follow.

Tracks Music Description:Thisexerciseis a straightforwardascensionof a nearly three-octave A harmonicminorscale, cappedwith resolutionto the rootnote,A, on string2. Tip: Thefour-notegroupingsthat occuron strings2 and 4 aretriclsy, so spendextratimegettingthoseindex-finger slidesdown pat beforeplayingthe entireexerciseup to speed.

Tip: Remember, this is a ja" line,so swingthe eighthnotes i. Here,the E chordin the secondmeasureis outlinedwitha combination 'raised of openfirstand secondstrings Eand B andthe openthirdstring a halfstep to Gl by bendingbehindthe nut.

Tracks Music Description:Thissweep-picking patternis similarto Exercise ,onlythistimethe arpeggiois minor Am in quality. Tracks Technique:SweepPicking cenre: Metal Music Description:In this example, pull-offshave beenaddedto the exercise sweep-picking found in Week 43 As in seventh biatonic that exercise, chords in the keyof A major descend ffi strings whilesimultaneouslyclimbingthe Tip: Whileperformingthe pull-offs,simultaneouslyjumpyourpickoverstring4, movingit intoplaceto performthe upwardsweepof strings5 and 6.

Tip: Althoughthe slursalternatebetweenthree-andlive-notegroupings,remember to countthemas straightsix- teenthnotes. Here,strings3, 4, and 5 areskippedduringthe line'sdescent. Tip: Forja" 6ullrenticity, slideintothe frst noteof the phrase. Tip: To executethe behind-the-nut bends,pushdownon the string towardsthe headstock pres- with considerable sure,usingmorethanonefinger,if necessary.

Tip: Ukelastihursday'sexercise , your "roll" ring bar finger to fretthe noteson strings4 and 3. Tracks Music Description: A culmination exercises of the sweep-picking fromthe previoussixweeks,thisfigurecombines the familiardiatonicseventh-chordarpeggios keyof A withdown-sweeps, pulFoffs,and sextupletrhythms. Tip: To helpwiththe Gfm7l5 chord'swide,five-fretstretch,leaveyour indexfingeroff string4 untilthe verymoment yourabouito strikeit. Yourindexllnger shouldbeginto approach the stringwhileyou'replayingthe noteon string5.

Tracks Music Description: Likelastweekblegatoexercise ,the A harmonicminorscaleprovidesthe notesfor this example,whichcombinesascendinga;d descending to climball sixstrings.

Thefestivities slidesand hammer-ons cometo a climaxwitha seventeenth-fret Iingertap of the rootnote,A. Tip: Usethe samefingerpatternfor eachstringpair ,, andand,to capthe phrase,articulate the tapped notewith eitherthe indexfingeror middlelingerof yourpick hand. Mbanwhile,ttie Dm7-G7-Cmaj7progression by virtueof the variousminor-,major-,and is reinforced dominant-seventh chord inversions used in theirrespective measures.

Tip: To get the melodynoteson string1 to standout amongthe olhernotesin the chord,usehybridpicking acom- bination-ofyourpickand fingers and pluckthe top stringwithslightlymoreforcethanthe others.

Tip: Tofacilitatethe stringskips,dividethe sequenceintoslx-notegroupings twostrings,one skip ,practicingeach groupmultipletimesbeforeplayingthe exercisewholly. Tip: The notesin measure2 aretakenfromthe root-position C minorpentatonic scaleand can be playedexilusively withyourfret-hand'sindexand rjngfingers. Tip: Beforecommencingthe phrase,placeyourpinkyon the firstfretof string2 so that it'sin placefor the behind- the-nutbendin measure1. Tip: When you pulloff froi string 1 withyour tapping after Jinger, you've performed just liftthe finger the slides,.

Thiswillmaintaina consistent attackvolumefor all ninenotesof the slur. Tracks Rhvthm Technique: Genre:Jazz Music Description:In this rhythmworkout,the ja77chordmelodyfromlastSunday is transferred fromstrings to strings, shiftingthe notesdownone octave and necessitating new chordvoicings.

Thiswillprepyoufor what'sto comenextSunday Tracks Technique:Alternatepicking Genre:Metal Music Description:Thisexercisecontinuesthe conceptsthatwereintroducedlastMonddy ,onlythistimein descending fashion. Tip: The notesplayedafterthe stringskipsareoneoctavelowerthanthe notesprecedingthe skips;therefore, letthe soundof the noteshelpguideyourfrethand.

Tracks Technique:stringskipping Genre:Metal Music Description:TheG diminished scalesuppliesthe notesfor thisstring-skippingfingier-stretcher in twelfth oosition. Tip: Thesamefingeringis usedon bothstrings iirstand thhd in thisexercise,so spendextratimegettingthiepattern underyourfingersbeforeattackingthe entirephrase.

Tracks Technique:stringBending Genre:country Music. Description: An obliquepre-bendon strings1 and 2, a double-stop i. Tip: Afterthe lirst-measure obliquebend,the restof the phrasefits nicelyin fifthposition. Tracks Technique:Arpeggios Genre:Rock fr,irii" O""Jription:Thisexampleis the minorversionof the arpeggioexercise from lastweek The chord's3rd deoree.

Cfi,hasbeenlowereda halfstep,or onefret,to C natural' itni ki"p u on yourpinlcyas yourfrethandslidesup strjng1, usingit as a guideto findthe stopsat frets 12 and G,G7t5 ,witheighth-note tripletssupplyingthe rhythmfor eachsweep. Tracks Technique:Legato Genre:Metal tvtuiic Oescription:This figureexpands on the ideas introduced in , Exercises , and Tip: Becausethis is a jazzline,the eighthnotesshouldbe swung. Tip: Barstrings withyourpinkyto accessthe highE note firststring,fret 12 on beat2 of the secondmeasure.

Exercise: cD2 o Tracks Technique:stringBending Genre:country Music Descriptionz A7, G7, and D7 chordsareoutlinedwitha phrasethatfeatureswhole-stepbendsand pre-bend-s on string3. The lineis initiallyplayedin twelfthposition,andthenrestatedin tenthand fifthpositions. Tip: Whileyou'replayingthe frst noteof eachmeasure, pre-bendthe secondnoteof the measure,preparingit for perfolmance. Genre: Rock.. Forbestresults,followthe pickingdirections notated betweenstaves. Genre:Jazz fufu"i" O. Tracks Technique:Rhythm Genre:Jazz ".

Tip: Swingthe eighthnotesand,for greatesteffrciency, followthe firigeringsuggestions in the notationstafffor greaf est efficiency. Tracks Technique:stringskipping Genre:'Metai' Music Description:Rootedin the C majorscaleand arrangedin a three-notes-fer-siring[attern, thisshredlineoffers bothtwo-string ascendjng and one-string descending skips. Tip: Be carefulin measure2, wherea downwardlegatoslidelinksthe G majorand E minorarpeggios. Up to this point,allof the legatoslidesusedto linkarpeggioshavemovedupward.

Music Description:AscendingD minorseventh,G dominantseventh,and C majorseventharpeggiosare"swept" progression, overa two-barii-V-l Dm7-G7-Cmaj7 jazzmusic'smostprominentchordchanges. Tip: Becausethe eighthnotesmustbe "swung,"it mightbe easierto playthe lastbarwithalternatepicking,rather thana downwardssweep. Experiment with bothtechniques. Tip: Don'toverlookthe two siliteenthnotesplayedon the "and"of beat3 of the firstmeasure.

Toexecutethese properly,pickwith an upstrokeand thenquicklypulloff the stringwithyourfrethand'sring,middle,and indexfingers, respectively. Tracks Technique:Rhythm Genre:Jazz Music Description:Withinthe frameworkof a Gm7-C7-Fmaj7 progression, thisexercisebuildson laslSunday's exercise by addingsyncopatedchordstabsand a moreelaborate walkingbassline.

Tip: Fora smootherline,playthe bassnotesthat precedeeachchordwiththe samefingerthat you'llbe usingto playthe bassnoteof the chord. TfiACK 51 Music Description:Thisthree-barii-V-i progressionis in the keyof G minorandfeaturesan uninterrupted streamof eighthnotes-a greatalternate-pickingexercise-thatoutlinethe chordchanges. Tip: Onceyou'recomfortable startingthe exercisewitha downstroke, usingalternate-picking throughout, reversethe patternand beginthe linewithan upstroke.

Tracks Music Description:Thisfigureis the descending exercise So takeeritrarepsat the slowertemposbeforecrankingup the tempo! Tracks Technique:StringBending Genre:Country Music Description:Thisarpeggiated figure,whichwdrksgreatas a tag at the end of a tune,featureswhole-step bendsand releases on string3 of eachchord. Tracks Music Description:In thistwo-measure phrase,three-octave A minorand C majorarpeggiosarearrangedin a pat- ternthat combinestwo-notes-per-string sequences withsweeppicking.

Tracks Music Description:Two-octave, majorand minorarpeggiosaresweep-picked five-string overa familiarAm-m-Em. Tip: Be carefulwithyourpickingwhenyou reachstring1-the top noteof eacharpeggiois playedtwice,helpingto get yourpickin placefor the up-sweep- n V - - - - - - - t n - - - - - - - j V n V- - - - - - - - r nV-- - , 1 n - - - - - - - tV n V - - - - - r Exercise:f CD2.

Tip: Thisentirephraseis playedin fifthposition. Forbestresults,followthe suggestedfingerings that arelocatedin the notationstaff. Cm7 Fj Exercise: CD2. Tracks Technique:StringBending Genre:Country lvlusicDescription:Thiscountrychordmelodyis piayedon strings exclusively andfeituresa handfulof whole-' stepbends. Tip: Assignyourpick,middlefinger,and ringerfingerto strings5, 4, and 3, respectively. Tip: Forthe E minorarpeggio,a singlethree-notefingerpatterncan be usedfor allthreestringpairs.

Thispatternwill temptyouto playtriplets,but sixteenthnotesshouldbe maintained throughout the phrase. Tracks Technique:SweepPicking Genre:Metal Music Description:TheAm-rc-Em progression fromlastFriday'ssweep-pickingexercise areback;this time,however, the arpeggiosalternatebetweendown-and up-sweepson eachchordchange. Tip: Shiftingdownthe neckto performan upwardsweep measure moredifficl-,lt 2 is considerably thanmovingup the neck measure1 ,so spendextratimeworkingon the transitionfromthe G arpeggioto the Emarpeggio.

Tracks Technique:Legato Genre:Jazz Music Description:A three-notemotif, restated twice,supplies the melodic fabricfor this C major legato linethat featurespull-offson strings 1 and 2, a hammer-on on string3, and a slidethat resolves to the root,C, on string4.